Bombshells, The

I'm not sure if William H has a new series up his sleeve here with The Bombshells, but if this first volume speaks anything about what is to come, it damn well deserves it. With Bree Olson featuring with an anal scene, as well as the likes of Andy San Dimas, Gracie Glam, and Kristina Rose, well, this one's a treat. Oh, and don't forget the bonus scene with Kagney Linn Karter. Yeah, it's all loaded.

Andy San Dimas starts us out the gate, and her tease sequence just seems a little bit uncomfortable somehow. Maybe it's her face: she looks almost more angry than alluring. Maybe it's something with the makeup, though, as even as she's getting her pussy licked she still has a certain sternness about her. A shame, that, but really too much eye makeup. The scene winds up feeling pedestrian to me as a result, despite the fact that it's a really energetic performance by both stars. I mean, they go all out in this one, and there's some definite heat here as Andy is still one of the most responsive stars I can think of. Dude's got some goofy ass hair going on, though. A good face shot in the end, though.

We go from Andy to Gracie, as the lovely Ms. Glam has one of the most stylized tease sequences I've seen William attempt. Some of it works, some of it doesn't, especially the part where she's gyrating in front of a wall of windows; all I can really see is outside with a shadow in front of it. Maybe that was the point, but it wasn't as effective as it could have been. She looks uncomfortable with some of the moves, too, as seems to happen with some of the thinner ladies under William's direction. They just don't line up quite right. Mick Blue has no problem jumping straight to giving a rim job here, though I do wish the reciprocation was a more mainstream thing. What can I say, I dig that. A good scene here, though perhaps with a bit too much light, and the choice of where they got it on really limited the camera positions. It's good, but there are just too many points where the camera has nowhere to go other than to be underneath them.

Maybe our cover model Bree can fix that up for us. She is doing her tease sequence in what looks to be a very nice garden, with what appears to a combination of Doric and Ionic pillar providing something for Bree to stand against and gyrate. Thanks ancient times! Mick gets this scene, too, and he's once again all about the ass. My kind of guy. A strange piece of furniture that they're using here, though, and it too really limits what angles the camera gets and what positions they can use. A shame. It's some kind of loveseat with high arms and an even higher back. Centered in most of the shots is actually Mick's arm. As a result, the anal bits aren't all that they could be, and negative points for the overdone lighting on the facial in the end. That part was rather amateur for Elegant Angel and William.

There's a Madison Ivy sighting, but let's just head over to the one lady who can save this film at this point, Kristina Rose. The tease sequence, again, feels really nothing but awkward. There are a couple of neat parts where Kristina is indoors and they have the lighting just right, but those are fleeting. Yet again we have too much lighting, killing the contrast, as well as some poor camera angle choices and worse furniture options. I'm not really sure what's up with all of that, as they are issues that almost never crop up in EA films. But Kristina is almost completely washed out in the reverse cowgirl anal, and it's a camera angle from the floor, the one way a reverse cowgirl should NEVER be done, as it makes for a medical exam with a head floating over the top. Just not establishment of the scene, either. A poorly constructed effort, though no fault of the talent.

This film should have been a home run, and the talent still keeps it in the realm of must-buy, but there are enough production worries here that make me think maybe this sequence was some kind of experiment. Here's hoping it's out of their system before volume two comes around.