Ass Factor

Yeah, having a studio called the Ass Factory, while it indicates that I'm probably going to love all of their work, means that I'm going to picture some kind of body part assembly line, And that's not all that pleasant of a mental image. I don't like to disassemble people that way... I won't like a star just for one part of them. It's a combination of how they carry themselves, how they perform, and definitely what their eyes are like. Thankfully, the assembly line for this film puts together quite the cast, with Krissy Lynn and Katja Kassin in particular putting in standout performances. You know what you're going to get with Katja Kassin, but somehow she never really seems to age. Maybe that's because she hasn't made any of the surgical mistakes so many of her colleagues have. In short, she hasn't done any ill-advised work on her face, including that infernal tendency for stars to inflate their upper lip so it's out of proportion. A silly look, that, and it seems to precipitate a quick exit from the industry thereafter.

While she has changed some other parts of her - those breasts are definitely relatively new - she still carries the years of experience she has to put in an excellent show. Lots of excellent oral and anal work here, and full points as well for the choice of blue fishnets, as they really work off of her eyes and hair colour. Ultimately, this one is everything you could possibly want in an anal scene, from the delicious staircase tease to the mouth shot in the end. Just a winner all the way around. I really like the way Krissy Lynn performed in her scene. She mixes a slightly innocent look with some downright filthy action, including every conceivable anal position and a lengthy session of rimming the guys. Then most of a living room furniture set is used throughout the course of this scene, with the couch, the ottoman, the floor, and probably some furniture I missed put to use. Well lit, well captured, and well performed, this is everything you would expect from a scene on a disc from Jules Jordan. It also seems to just
go on forever, and most importantly, all of the talent really seems to be enjoying themselves. Two nicely delivered mouth shots in the end, though the second one was more of a dribbler than a shot. Back at the beginning of the disc, Jasmine Tame starts, and I already feel like she's trying too hard right off the bat. It's hard to describe, but it's a very awkward and uncomfortable tease sequence... she doesn't seem to know what to do, and the camera doesn't seem to know upon what to focus. I also really don't like scenes that start with a vibrator... it's like the action itself isn't quite going to be good enough. Which is a shame, as Jasmin has on these phenomenally awesome stockings. The shame is that, to my eyes, that is the highlight of the whole scene. Maya Hills
rounds things out (though hers is the third scene on the disc). As is typical for many of these films, the tease sequence is terrible, really because no one seems to know what they should be doing. There is also a shadow effect from the window that is awkward to deal with, especially as there are many crossfades between shots. Then Maya just seems to get bored, and we pan to a shot out the window. I know, we're supposed to be looking at her reflection, but I honestly am getting bored. Erik Everhard shows up for the sexy bit, though they stay in the same location to start, meaning there are a ton of shadows. They move to a couch, which improves matters greatly, but there just isn't much heat here. Not the energy I was expecting. Four scenes may not seem like a great
deal, but with each scene running to near 40 minutes, that's really a whole lot of footage. I liked half of the film myself, and that's a pretty good rate. They don't need to throw six scenes at us with Ass Factor to give us the quality we should expect.