Nymph Fever 6

Beginning with the nocturnal U.F.O. of Mary Beth (Tara Indiana) in Bluffman, Texas, as her husband Earl (Dale DaBone) watches helplessly, NYMPH FEVER #6 starts off with more intrigue than your average modern porno flick.

In the next scene, as Sheriff Hartly (Frank Bukkwyd) listens in disbelief to Earl's ravings that the sky opened up and took his wife, they are both reminded of a two-week old incident in which Earl was seduced by buxom school teacher Miss Everett (Jewel De'Nyle) in her classroom after excusing her pupils. Her first lesson in chalk on the blackboard for Earl: "Fuck My Pussy!" Within moments, the easily swayed (he had a wife in the first scene, right?) Earl is tongue-testing her tasty twat. After Miss Everett gives him an incredibly noisy blowjob (she hums and, at one point, tries to form words with his meat still in her mouth; is this what dinner theatre has come to?), Earl lays back on her desk and she mounts him, doing all the work as she pumps her pussy up-and-down hard on his stiff dick, making her ass-cheeks dance with palpable delight. I found her fucking a little too loud and insincere, but adequate for the scene (hey, I'm sure it's not easy doing this kind of stuff on top of an old wooden desk). And by flashback's end, Earl blasts her ass with a full and frothy, well-earned load.

Which brings us back to Earl in the Sheriff's office, still mooning over the fond remembrance. Snapping back to the problem at hand, Earl suggests calling in the F.B.I. The Sheriff shrugs off the request, but when his deputy finds a strange, semen-like secretion that makes her super-horny at the site, enter Government Agents Grip Johnson (Herschel Savage) and Miranda Parks (Nina Ferrari). Seasoned veteran Johnson tells first-day-on-the-job Parks about a bizarre rash of cock-sucking deaths possibly related to a Nymph Fever Virus. Which takes us to a flashback between big-boned babe Logan LaBrent and an unlucky agent played by Chris Cannon, who engage in a series of sex acts outdoors on a park bench that ends, we are told, with him never recovering from a full sperm-depletion (which is thankfully never shown, though we do get the standard-issue cumshot). Johnson is a radical in the F.B.I., and Parks reminds him that his views are considered quite controversial.

Meanwhile, on a tiny fishing dock in a nearby backyard, the local town's Preacher's daughter, Betty Sue (Chandler), is seducing local fisherman Billy (Joel Lawrence) as a curious, semenish goo dangles from her lower lip. (Here's the flick's best unintentional laugh; watch Joel always looking to his left to read his lines from an off-screen card. It's pretty damn funny when he has to look over, then back to Chandler, to say "yeah" before they start shagging). Starting with a turbo-charged pole-smoking, Chandler is the liveliest sex-performer this disc has been able to cough-up, so far. Her head is a blonde-blur of slurping-sounds and gagging spit-bubbles as she engulfs whatever she can't stuff into her mouth with both of her wet, fast-sliding hands. A few fingers into her holes later, Chandler begs Joey to fuck her, and he's more than happy to fill the pleasure-seeker's maze of creases in her pussy and her puckered-asshole as she shrieks her way to orgasm. In the end, he glazes her ecstatic face and open-mouthed smile with a prodigious spraying of jizz. What is it about playing the Preacher's daughter that always brings out the deepest heat in a performer? Hot damn, this is a good scene!

Which brings us back to Agents Johnson and Parks meeting with Sheriff Hartly at the scene of the Mary-Beth's . All three of them do a good job of playing it straight and maintaining the "X-FILES" vibe while delivering dialogue that, while at once a ludicrous parody of that geek-beloved chestnut, is also no more ridiculous than the stuff people on the actual "X-FILES" used to say. Some nicely-shot nighttime exteriors make for a fun and atmospheric non-sex scene. How's that for something different? But we all knew that wouldn't last for very long, right? And now, in a bedroom just outside of Bluffman, beautiful blonde Jodie Moore and muscular stud Billy Glide are satisfying their carnal desires. Jodie is a slow-but-sure swallower of cock and Billy, perhaps inspired by the vast alien intelligence at work here, is eager to probe her hot-box and butt-berry with his inquisitive tongue. I don't know if his rod is that big or if she's one petite little critter, but Jody seems like she's doing a lot of stretching to fit him inside of her, and she looks mighty darn pleased to be obliging him. She rides him from every possible angle, moving her body to slide Billy in-and-out of her steamy flesh at various deliberate tempos that seemed as measured for her pleasure as his, until he delivers a light helping of ejaculation on her pretty face. It's another good scene that generates some genuine heat.

Once more back in the Sheriff's Office, an interrogation of Miss Everett, who is suspected of somehow being responsible for the disappearance of Mary-Beth, turns into a very determined blowjob for Agent Johnson as Agent Parks watches. It's a brief blowjob only scene, but Jewel seems more comfortable on her knees than on top of a desk, and her sucking skills are better displayed here than they were in her previous segment. Her efforts are rewarded with a spasm of Johnson's ball-juice, before we cut to:
The site, later that night, as Johnson discovers the alien spooge and he and Parks are blinded by a bright, U.F.O. light. Parks awakens onboard the extraterrestrial spacecraft surrounded by two silver-masked aliens and sees Mary-Beth in some kind of chair getting attended to by Brian Surewood as (can I type this without groaning?) the Head Alien. It's our first good look at Tara Indiana as Mary-Beth, and she's a voluptuous redhead with a little extra stock on her that wiggles invitingly when she's getting serviced. Parks just hangs-out in the background with the gyrating aliens as she pleases herself with a space-dildo. Well attended-to by Mary-Beth, the Head Alien cums all over her tits, spraying so furiously and with such that he grazes her hair and face while achieving release and bucking with delight; it's a truly impressive sight. Parks suddenly finds herself back with Johnson in the spot she disappeared from, as they discuss salient plot points and prepare us for the next continuing chapter.

Overall it's a fun flick that's very well shot, has decent production values, and at only 75 minutes in length does not overstay its welcome. Even the scenes between the fucking are entertaining, and Mr. Savage is well-cast in a role that allows to him be deadpan funny with overwrought dialogue. The DVD presentation is sharp and clean, with good audio (even when the music gets too generic) and the usual extremely precise chapter stops.

Extras include a very good behind-the-scenes featurette that gives, for once, a pretty good idea of what being on a porn set is really like. You see the technicians working, the talent goofing around with the director in-between set-ups, and they actually allow you to witness some of the problems that are inherent in shooting on-location fuck footage (ie: how to keep the actors comfortable while getting some of those "special" angles, for example). The slide show is just under 2 minutes of on-set photos, and the "More Hot Footage" feature on the Main Menu is just 8 ½ minutes worth of phone sex ads. A pity the sex is mostly run-of-the-mill, or I'd have been able to more highly recommend this, but as it stands it's still slightly better than average and worth a look if you want some jokin' with your jerkin'.