Blue Matrix

This Adam and Eve production, produced by Nick Orleans begins with the light jazz music provided by "Great Escape" (we'll need to look for the soundtrack) and figures moving out of light that would have you believe that you were beginning to watch a Andrew Blake feature. Truly a great deal of time and money went into this production, which touched upon just about every sexual preference out there, mainstream of course, elaborate scene selection, a huge bevy of featured stars, the right music and a plot which is similar to the mainstream film, The Matrix.

Entering a very beautiful home, professionally dressed in a business suit, the lovely Selena Del Ray begins gently fingering the creases of her flesh as well as her large breasts. Shortly joined by her husband, played by Billy Glide, the couple begins to decompress from their busy day. After the completion of their activities, Salena disappears out of the scene and out of the room as well. We quickly become aware that she has crossed over to the other side similar to that other motion picture of a similar title.

Across on the other side, in a well-produced scene, you really need to concentrate to notice in the dark blue light that Ginger Paige and Jack Hammer are engaged in activities. Watching are the newly transported Selena and Vivian who are watching the couple in action while not neglecting themselves either. Walking into the picture is Jill Kelly, who nonchalantly passed the girls a huge, blue jelly dildo and continues to watch the couple a bit more closely. In a great work of film making, the camera is behind Jill and looking thorough her well-toned (and tanned) legs and backside, while her manicured fingers begin pleasuring her clit, we see the couple having sex.

While trying to advance to a hypersexual experience, Hershel Savage, Evan Stone and Tina Tyler try to cross over through a double hand job. Evan makes it, but no such luck for Tina or Hershel. While trying to seek out a specialist, Taylor St. Claire begins to try to figure out what is truly required to cross over. Stating that masturbation is her choice of pleasure, she starts fingering herself and then introduces a vibe to aid in her effort.

Realizing as scientists that they may need to try to see what it takes, Cheyne and Chennin decide to put work aside and see what they can do. Chennin who must be in her late thirties has an unbelievable resemblance to Jill Kelly and could be her real-life sister. Achieving a hypersexual state, success, both cross over.

Waiting for them in the Blue Matrix is Jill Kelly, the curator of the place. She explains how making love is a vital part of life and that through such a high level of pleasure, sexual pleasures will increase. Okay, we'll buy that. Not to be left out, our Jill is in the final scene of this feature with Alec Metro and Evan Stone. In this no-holes-barred sequence, Jill pleasures both men with all of her abilities complete her throaty dirty talking that even the strongest of men could not resist.

A pleasant offering from Adam and Eve. This would make a great couples film, as it has well thought-out scenes, elaborate stage settings, great costumes and neat music, which sets the mood. In this high quality production, with something for everyone and star talent everywhere you look.

It's certainly an unusual turn of fate when the Costume Department, of all things, makes a dramatic difference in the quality of an adult film. After all -- let's get real, here -- most of these movies are intently focused on getting the actors OUT of their costumes as quickly and as often as possible.

But very special recognition must go to Noelle Utopia, the wardrobe stylist of BLUE MATRIX, for the incredibly sexy outfits worn by the beautiful, curvaceous women featured in this production. We aren't talking about simple blouses, bras or bikinis here -- those common garments which serve little purpose but to be peeled off and cast aside. No, sir! Ms. Utopia's creations include breathtakingly sexy corsets, bustiers, garters, elbow-length gloves and other dreamy accessories -- items which the lovely ladies often continue to wear even as they plunge into the deepest, wildest throes of orgasmic passion. Virtually every woman in the film at one point or another is seen wearing some sort of tight corset which not only leaves her breasts, her butt and her bush fully exposed, but which highlights, accentuates, and draws extra attention to those desirable features.

This is noticeable right away, even in the first scene, when a beautiful young blonde with very large boobs (which wobble quite naturally despite their almost too-perfect-to-be-natural shape) eagerly makes love while wearing a tight bustier -- and with her shirt pulled all the way up around her neck, to reveal her wobbling wonders. There's something simply magical about a woman being half-clothed which makes her look so much sexier than when she's fully naked. Jug junkies will also thrill to a brief but glorious tit-fuck sequence included in this scene, which is partially rendered in scrumptious slow-mo. The whole business ends on a bizarre note, however, when the blonde girl mysteriously vanishes into thin air right after her partner cums on her.

This TWILIGHT ZONE-like moment of weirdness is the first hint of BLUE MATRIX's ridiculously silly storyline. Its premise is that a truly fulfilling "hypersexual experience" can transport an exceptionally orgasmic lover into a strange alternate dimension called the Blue Matrix. How anyone knows enough about this alternate dimension to have given it a name (or even to have any idea what color it is, especially since nobody has ever come back to tell about it) is never explained. Nor do we ever learn why/how this pair of scientists has come to be studying it, or why anyone would fund their research, or how they recruit the various sexy test subjects for their lab.

Even sillier are the scenes showing the scientists' various experimental subjects as they enjoy sex together, during which the scientists stand a short distance away and tap away wildly on the keyboards of their laptop computers. I mean, what exactly are the researchers supposed to be typing? Descriptions of the sex acts? Wouldn't it be easier just to videotape everything? (And shouldn't their "research" begin with exploring the strange phenomenon in which a white condom somehow magically appears on each guy's cock just a split second before he penetrates each girl?)

Oh, sure, nobody buys adult DVDs expecting to find any lost science-fiction masterpieces by Arthur C. Clarke or Isaac Asimov on them, but just a little more attention to the plot details could have made BLUE MATRIX a classic. (Significantly, no screenwriter is credited at all in the film.) What we're left with is a wildly preposterous, seemingly nonsensical plot that connects together some fabulous sex scenes. Ahhh, and what a wonderful bunch of scenes those are....

The sexual encounters which take inside the Blue Matrix itself (a series of weird chambers lined with white sheets, mirrors, and walls that look like giant Lego blocks -- all of it lit by dim blue lights) are superlative. Even in the rare instance where the main actors aren't terribly appealing, you can bet that some awe-inspiring vision -- such as Jill Kelly or Taylor St. Clair -- will stroll into the scene with her big, gorgeous breasts hanging over her corset and get herself close to the action, suddenly giving you a whole new perspective on it. Some of the girls play around with a translucent blue dildo, once even using it in a nearly heart-stopping strap-on scene between Taylor St. Claire and that gorgeous busty blonde from the film's opening scene (who somehow picked up a weird new haircut upon entering the Matrix). Photographed with large mirrors reflecting Taylor's wondrously wobbling, corset-cradled loaves of love, this lovely lesbian encounter offers one of the MATRIX's finest and most memorable displays of premium girl-flesh.

Things heat up back at the research lab, too, especially when foxy Tina Tyler (wearing a peek-a-boo red costume and matching red gloves, which contrast wonderfully against her black Betty Page haircut) expertly coaxes two studly guys to climax at once. After some nice long blowjob action, she sheds the gloves and administers a double hand job, with her creamy white hooters wobbling freely through the large hole in the chest of her costume as she strokes the boys. This inspires a great double cum shot, with one guy's load spurting onto her right leg, and the other happy fellow's silver slushie fountaining onto her left tit. (The tit guy is instantly transcended to the Matrix - which is probably the most believable moment in the whole film!)

That scene is also a nice precursor to the film's very last sequence, in which Jill Kelly services two guys at once. Her great oral/hand technique pays off with another wonderful double cum shot, as she gets one load splattered across each of her huge, round jugs. Incidentally, Jill's boobs are the picture of absolute perfection here, and they wobble with very natural movement...but they most definitely seem to have been augmented since she appeared in the 1998 action flick ARMAGEDDON BOULEVARD.

There's a lot to like about BLUE MATRIX, but it's definitely a shame that there aren't more scenes with the top-billed Jill. She actually looks much sexier in this film than she does on the DVD's box cover art (which is certainly a rare accomplishment for any actress in this field), so it's more the pity that she really only turns up two of its scenes. The film also suffers a bit from indifferent sound recording/mixing, with some of its dialogue buried under music and extraneous noises (footsteps, etc.) even during the opening scene. Other scenes have sound levels that bounce all over the map. (Why is it that so many adult DVDs rarely have their soundtracks mastered at a consistent level?)

The disc comes with a generous selection of previews, including a "play all" feature that enables you to run the whole dozen beautifully shot and edited trailers in one continuous, unbroken sequence. The other extras on the disc are skimpy, though -- a disappointingly brief slide show, plus a "Cast Bio's" [sic] option which in fact contains only one cast member biography - Jill Kelly's.